Originating from industrial and graphic design, our work has embraced hands-on craft, specialising in glass and textiles. As keen open-source technology makers and fascinated by craft history, we are looking for ways to draw bridges between traditional craft and digital fabrication. We view our work as part of a chronology of craft knowledge, in which the convergence between historical and contemporary practices evolves into new methods and expressions in material. Our work is focused on crafting tools and processes of making; addressing the cultural origins of materials and techniques; and reflecting a spirit of dialogue and knowledge sharing.
Noam Dover (b. 1975) questions the traditional boundaries between design, crafts and production;
addresses the cultural origins of materials and techniques; and creates objects that tell the story of their
making.
Originating from industrial design, Noam’s work has embraced hands-on craft, specialising in glass and
ceramics. A keen open source technology maker and fascinated by craft history, Noam is looking for
ways to create a synergy between traditional craft and digital fabrication. He sees his work as part of a
chronology of craft knowledge, where today’s digital developments present new opportunities to the
craft community, through open sourcing and an innovative approach. He is developing ceramic and
glass 3D printers, tailored for a studio environment.
Noam is a lecturer in Bezalel Academy of Art and Design, Jerusalem, and in Holon Institute of
Technology (IL).
He is a PhD student in the Technion Israel Institute of Technology, Haifa (IL). MFA in Craft! Ceramics and
Glass department, Konstfack College University of Art, Craft and Design, Stockholm (SE). BA in
Industrial design from Bezalel Academy of Art and Design, Jerusalem (IL).
Michal Cederbaum (b. 1976) likes to think of design as a cultural sphere of discussion, and is constantly
looking for ways in which design can resonate complexities of our times. While engaged in processes of
material, form, tactility and colour, Michal addresses the distinction between ‘being’ and ‘doing’ in the
fields of craft and design. It is the BEING that intrigues her most: What does it mean, to be a designer?
where do our motivation and norms come from? What is are sources of our forms and materials? How
can we find relevance in our practice? Notions which formulate relationships between the object and the
discourse
Michal’s work includes textile, paper and ceramic design, street art and projection design for stage.
Originating from visual communication, her work connects between contextual, cultural, often political,
two-dimensional images and three-dimensional iconic objects.
Michal is an MA student in ‘Theory and Policy of the Arts’, Bezalel Academy of Art and Design. BA in
visual communication from Bezalel Academy of Art and Design, Jerusalem (IL).
Dubai Design District, Building 7, store R06
Dubai, UAE
keepintouch@doublejcollective.com
+971 4 451 0467
Mon – Friday – 11.00 am – 7:00pm
Sat – by appointment
Sun – closed