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Tina Vlassopulos

Vlassopulos’ work looks deceptively simple, belying the fact that she enjoys pushing clay to its limits. Her graceful vessels instill a sense of movement and precise balance. Although the work seems to draw ideas from nature, it is the performing arts which inspire her.

The pots are made with an eye to the possibility of function, but this is balanced by a sculptural context to the forms and the concept of container carries only an aesthetic & symbolic value. They are pots made contemplatively, for reflection, with the abstract and organic combining forces.



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BIOGRAPHY

Tina Vlassopulos is an internationally acclaimed ceramic artist based in London, UK. Her hand-built sculpture is held in both public and private collections. As a rebellious schoolgirl, Tina always knew that she would go to art college, and she had absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay, and she found it challenging. Nevertheless, she was drawn to it because clay was the only material that was malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.

Tina’s interest in the performing arts is pivotal to her work, and she tries to instill a sense of movement and poise in each individual piece while also creating harmony. Her primary concerns are the concept, aesthetics, pushing clay to its limits and the exploration of new forms and ideas.

She likes the immediacy of using clay straight out of the bag and finishing pieces by burnishing, which gives them depth and tonal variation. The rhythmical movements of burnishing combined with the physical control needed to achieve a finished piece are complemented by the delightfully free technique of hand building, which is full of endless possibilities.



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